CIARA IS DEFIANTLY A MAN AND ITS DISGUSTING MY CUZIN WAS THROWING UP FOR 2 WEEKSM YUUUUUUUUCCCCCCCCCCCCCCCKKKKKKKKKKK PLEASE SIGN THIS B/C THATS JSUT HERENDOUZ
Moviepass just sent me a push notification asking if I trust critics or the audience. Has "The movie critics don't want you to see!" been done before? It's amazing.
grass tacks wrote:Moviepass just sent me a push notification asking if I trust critics or the audience. Has "The movie critics don't want you to see!" been done before? It's amazing.
It sort of works given the film is ostensibly a propaganda on behalf of JG Jr to justify his persecution complex re. Feds notnleaving him alone, which is sure to appeal to a bunch of trump conspiracy theory chuds
Self righteousness from ex gangsters who ruined hundreds of lives if not thousands by extension is the saddest shit
My listening experience in balanced mode reveals the great depth of EARTH
i've said it before and i'll say it again, if john gotti were alive he'd have made up with rudy and be on fox and twitter opining re: who we should let inta da country
Yes, sir, I've become a real "Net-Head!" I don't know how I communicated before I got online!
Actual needle drops in the movie according to Mike D'Angelo's Letterboxd:
• Gotti strutting out of court post-acquittal to “Walk Like an Egyptian.”
• “House of the Rising Sun” over Gotti’s funeral procession.
• The synth bassline on “West End Girls” kicking in when a car explodes.
(You really have to see that last one—the whole intro plays while the car sits there onscreen, then the driver turns on the ignition, BOOM!, dum dum dum, da dum da dum.)
neely o'hara wrote:Actual needle drops in the movie according to Mike D'Angelo's Letterboxd:
• Gotti strutting out of court post-acquittal to “Walk Like an Egyptian.”
• “House of the Rising Sun” over Gotti’s funeral procession.
• The synth bassline on “West End Girls” kicking in when a car explodes.
(You really have to see that last one—the whole intro plays while the car sits there onscreen, then the driver turns on the ignition, BOOM!, dum dum dum, da dum da dum.)
these all sound great, and there's also this, from the nyt review:
Mr. Connolly even throws in Isaac Hayes’s “Theme From ‘Shaft.’” You don’t put the “Theme From ‘Shaft’” in a movie that is not “Shaft.” Come on.