

Contristo wrote:the writer for that Liars review might be the most intolerable person ever:
https://twitter.com/#!/JCalvert_music

Phil wrote:The only thing I've ever read at The Quietus was their review of Kindred, which was one of the only tolerable pieces of music writing I've read all year.
Are they normally that good?
Don't be an idiot. He doesn't right reviews for people that aren't interested in the political and topological climate of the plane of sound. If that's too difficult of a concept for you, then you shouldn't be listening to music.
ifear wrote:rule of thumb is no misanthropy in specialist threads

Locke wrote:grammatron wrote:And why were you trying to read that in the first place?
I love that split. nofx's cover of olympia is one of my favorite songs.

rollercoaster wrote:surly wrote:i guess this goes in here? falco responds to pitchfork's latest future of the left review
http://futureoftheleftv2now.blogspot.co ... -name.html
amazing
swamp thing wrote:be great if the world ended


surly wrote:i guess this goes in here? falco responds to pitchfork's latest future of the left review
http://futureoftheleftv2now.blogspot.co ... -name.html

The turnover rate for pop re-appropriation is accelerating. We're barely at the backend of the last 1980s revival, kickstarted around the time the Rapture arrived in New York City and channeled the dormant influence of some of the city's musical forebears (Liquid Liquid, ESG, Tom Tom Club) on their now-seminal "House of Jealous Lovers" single. Over 20 years passed between Liquid Liquid's debut EP for 99 Records and the release of that Rapture single on DFA in 2002. Now, a decade later, Brooklyn-based five-piece Friends have sprung from the city's DIY scene, carrying a sound carved from the same touchstones that inspired the dance-punk movement. There are times when this debut covers itself in other decorative markings, but it primarily feeds off a strand of New York's past that's perilously close to being bled dry.

It's a long drive, indeed, and there's lols for miles.



Eminem: "FACK"
For those that think this list is pussing out by not assigning a specific rank to each track, I'll give this the #1. Holy god. That there was a worse track than "My Humps" this year is the kind of thing that gets saved for history books. I actually had to pause it in the middle to get my bearings. Unfortunately, nothing I could possibly say about "FACK" would drive home my point like a lyric sample. Are you ready? Are you sure? Okay, careful now: "Ow I'm so fuckin' hot/ And you're so fuckin' hot/ Oh my god/ I wanna fackin' fack/ No, not fuck, I said fack/ F-a-c-k, f-a-c-k, fack, fack fack fackin' freak me!/ Ohh yeah, girl, see baby, they call me Mr. Freaky/ Let's call your sister, 3-way have some 3-some me so horny!/ And you're such a fuckin' babe I wanna go down on you, fuck, you shave!/ Ohh goddamn, here I go again!/ I'm gonna come, I am!" And finally, the chorus: "Owwww owwww owwwww (oh goddamn!)/ I'm gonna fuckin' come! (Oh shit!)/ Fuuck fuck fuyyuccck (fuck, I am!)/ I am, I'm going to come (I'm coming!)." Soooo...yeah.


mellowgold wrote:what the hell is going on with that passion pit cover story

sevenarts wrote:It's a long drive, indeed, and there's lols for miles.

mellowgold wrote:what the hell is going on with that passion pit cover story
Eugenics wrote:mellowgold wrote:what the hell is going on with that passion pit cover story
dude needs to quit making music for neophyte freshmen sorority pledges that get over served at 18+ nights on their first month at school only to be taken advantage of by dudes who will chant 'hakuna matata' in their jeep on the drive home
"Creativity essentially leads to suicide — where you think to cut yourself up, sit in the bathtub, and take more medication than you should."
