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Postby mellowgold » Mon Jun 11, 2018 5:35 pm

why didn't pitchfork review the new Twin Shadow album that came out two months ago? they covered the release of the album, its singles etc. but never published an album review. seems really weird? unless it was going to be another flop review like the last album and they worked something out so they'd just ignore it instead of giving it a shit review? seems strange!
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Postby brody » Tue Jun 12, 2018 12:51 pm

Pretty much everyone ignored it

I imagine warner records has dropped him or is about to
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Postby ripersnifle » Tue Jun 12, 2018 12:57 pm

someone should check in with Twin Shadow bro
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Postby bongo » Wed Jun 13, 2018 9:54 pm

yeaaaaaaaaaaaa american nostalgia love it suburban living civilized families this could be my life
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Postby loaf angel » Wed Jun 13, 2018 10:10 pm

are you doing an own on sherburne
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Postby Grey Poupon » Wed Jun 13, 2018 10:39 pm

ripersnifle wrote:someone should check in with Twin Shadow bro

I think he has enough charlatan hustle and self absorbed confidence to make a living wage at least well into the future
He’s like the she wants revenge douche
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Postby Quigley » Wed Jun 13, 2018 11:01 pm

loaf angel wrote:are you doing an own on skaburne
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Postby adam sampler » Thu Jun 14, 2018 1:00 am

these motherfuckers gave an 8.1 to some shit they had as literal sponsored content today, fucking atrocious
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Postby relevee » Thu Jun 14, 2018 2:04 am

loaf angel wrote:are you doing an own on sherburne


dj sotofett did the dankest own of all

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Postby relevee » Thu Jun 14, 2018 2:10 am

do any house/techno fellas here know if sherburne ever addressed that btw?
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Postby bongo » Thu Jun 14, 2018 7:05 am

yeah sotofett owns
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Postby bongo » Thu Jun 14, 2018 7:05 am

slow week for ott?

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Postby milknight » Thu Jun 14, 2018 8:10 am

Zurich wrote:kanye review was way harsher than a 7.1, really read more like a 3 or a low 4.

from following meaghan garveys twitter it sounded like she didnt pick the score... shady
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Postby milknight » Thu Jun 14, 2018 8:11 am

or maybe thats how its always been done but its p dumb wither way
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Postby bongo » Thu Jun 14, 2018 8:18 am

the scores are a way to have your cake and eat it too so even with a middling or outright bad editorial the Big Artist or Good PR Agency Backed Artist can still feel adequately compensated and point to their 7+ on p4k
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Postby ripersnifle » Thu Jun 14, 2018 9:56 am

yea a theorization of the dynamic between the copy and the scores would be interesting
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Postby thanks » Thu Jun 14, 2018 6:15 pm

serpentwithfeet nabbing the rare 8.1 no bnm today
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Postby endless dave » Thu Jun 14, 2018 6:17 pm

adam sampler wrote:these motherfuckers gave an 8.1 to some shit they had as literal sponsored content today, fucking atrocious


while I get what you're saying, it's probably a bigger and better thing that editorial and sales have at least the appearance of a firewall in this respect
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Postby endless dave » Thu Jun 14, 2018 6:21 pm

ripersnifle wrote:yea a theorization of the dynamic between the copy and the scores would be interesting


I honestly think it's a lot more boring than people would think. the scores come from a consensus of the staff (or at least some of the review team) and the copy is just a writer and editor. there's bound to be a bit of digression time to time. imagining this nefarious PR back channel of glad handing for softer scores or copy is silly.
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Postby Autarch » Thu Jun 14, 2018 6:24 pm

those "explore [artist]'s [album] in 5 minutes" videos are such a fucking bleak concept. Like, if you don't want to just take the time to listen to an album, then guess what, you don't get to "explore" it, because the only way to meaningfully "explore" it is to fucking listen to it. It's like they're prioritizing the memorization of facts about an album over enjoyment of the actual music.
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Postby father of two » Thu Jun 14, 2018 7:11 pm

thanks wrote:serpentwithfeet nabbing the rare 8.1 no bnm today


yeah i'm shocked, thought this was going to be a shoein for bnm
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Postby bongo » Thu Jun 14, 2018 7:28 pm

secretly canadian is in the doghouse for not buying enough banner ads
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Postby shirts optional » Thu Jun 14, 2018 8:56 pm

Flasher deserved BNM
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Postby gold and glass » Thu Jun 14, 2018 9:02 pm

it's kind of baffling that they didn't get it honestly
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Postby endless dave » Thu Jun 14, 2018 9:05 pm

Autarch wrote:those "explore [artist]'s [album] in 5 minutes" videos are such a fucking bleak concept. Like, if you don't want to just take the time to listen to an album, then guess what, you don't get to "explore" it, because the only way to meaningfully "explore" it is to fucking listen to it. It's like they're prioritizing the memorization of facts about an album over enjoyment of the actual music.


those videos are often about the history and context around the albums so I dunno, they're pretty inoffensive to me. the in on the kill taker one prompted me to re-listen to it, so win win
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Postby shirts optional » Thu Jun 14, 2018 9:46 pm

gold and glass wrote:it's kind of baffling that they didn't get it honestly


Yes they check all the boxes

Plus the album is dope
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Postby naturemorte » Fri Jun 15, 2018 12:36 pm

flasher is really feeding my mark robinson fixation. also reminds me of mars accelerator, maybe the three o'clock a bit. good lp. what the fuck does ian cohen mean when he says this album is "effectively genreless"?
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Postby Grumby » Fri Jun 15, 2018 1:06 pm

naturemorte wrote:what the fuck does ian cohen mean when he says this album is "effectively genreless"?


probably just means it has a deconstructionist vibe. after listening, yeah i get it. it's still rock music but at least it's a little hard to pin down

a pleasant surprise for me. i'm into it.
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Postby incoherent grunting » Sat Jun 16, 2018 9:41 am

Why is PF reviewing a Dave Matthews Band album?
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Postby Kev E Fly » Sat Jun 16, 2018 10:28 am

incoherent grunting wrote:Why is PF reviewing a Dave Matthews Band album?


I had this same reaction. Like what is the point?
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